Coverage
We book photographers who already work these cities — people who know the venues, the parking and where the light goes at six.
McCormick Place sets the rhythm of the Chicago corporate year, and the weeks around it are the busiest we book anywhere. Winter work moves indoors without anyone pretending otherwise.
New Orleans hosts far more conference business than its size suggests, and the Convention Center schedule drives the year. We shoot the sessions, the exhibit floor and the evening reception as one brief, not three bookings.
Houston headshot days run long: three hundred people through a conference room between eight and four. We bring the lighting, the backdrop and a second shooter, and we keep the queue moving.
Detroit corporate work runs through the automotive and mobility calendar, and its best rooms are restored early-century interiors that photograph far better than a standard ballroom.
Dallas corporate work is relocation-driven: new offices, new leadership, new headshots for a team that did not exist last quarter. Consistency across a roster matters more here than any single frame.
More Fortune 500 headquarters sit here than the city’s size suggests, so the work is steady year round — and from December to March it happens entirely indoors, which we plan for rather than apologise about.
Nashville’s corporate calendar is healthcare and music business in roughly equal measure, and they want very different photographs. We send a photographer briefed for the room they are walking into.